My Way: Domingo, Carreras, Dimash, and HAUSER Revive a Classic on Virtuosos 2025
Step into a room filled with soft stage lights and the hush of an expectant crowd. Imagine legends from different worlds of music, Plácido Domingo, José Carreras, Dimash Qudaibergen, and HAUSER, standing together, ready to give new life to a timeless song. “My Way” isn’t just another tune tonight. It becomes a shared confession, a tour of dreams, a declaration of living boldly. This is more than a cover, it’s a statement.
With the Concerto Budapest Symphony Orchestra behind them and Eugene Kohn guiding the performance, this rendition of “My Way” balances classical training with raw heart. Each artist brings not just their immense skill but their personal story to every phrase.
While most talent shows focus only on up-and-coming stars, Virtuosos 2025 brought together world icons. Plácido Domingo, his presence both grand and warm, stands close to José Carreras. Their voices, familiar to opera lovers everywhere, weave through the air with centuries of tradition behind them. Then, there’s Dimash Qudaibergen, whose voice seems to jump boundaries with every note, and HAUSER, whose cello can fill a hall with the ache or joy of a single bowed string.
The orchestra, led by Eugene Kohn, isn’t just background. Each note feels intentional and alive, blending seamlessly with the voices and the haunting cello lines. The arrangement, crafted by Sergio Kuhlmann, makes space for both quiet reflection and explosive high notes.
The Virtuosos 2025 stage becomes a meeting point. It’s where the old and new meet, where familiar lyrics get a new heartbeat, and where listeners remember why “My Way” has never really left the world’s playlists.
“My Way” didn’t start in English. The melody came from Claude François and Jacques Revaux’s song “Comme d’habitude.” Canadian songwriter Paul Anka heard it, saw its promise, and rewrote the lyrics for Frank Sinatra in the late 1960s. The rest is history. It became the anthem for anyone who wanted their voice to stand out.
The words tell the story of a life fully lived:
“I’ve lived a life that’s full,
I’ve traveled each and every highway,
And more, much more than this,
I did it my way.”
It’s a song about looking back. Not with sugarcoated nostalgia or empty pride, but with honest eyes. The singer admits to mistakes and even to biting off more than he can chew. But he keeps going with determination:
“Regrets, I’ve had a few,
But then again, too few to mention.
I did what I had to do
And saw it through without exemption.”
The chorus strikes a chord that’s hard to ignore:
“I took the blows and did it my way.”
It’s bold, but not boastful. It invites anyone listening to ask: Have I lived true to myself?
No matter the listener’s background or beliefs, the meaning remains relevant. The song whispers to everyone who’s ever wrestled with regret, fear, or the urge to just fit in. Its power is in its plain-spokenness and honesty.
Virtuosos stands out by focusing on young musicians with classical roots. The show doesn’t just hand out applause; it supports and nurtures these young talents, giving them chances to work with mentors and perform for wide audiences.
This “My Way” collaboration isn’t business as usual for the show. Bringing together Domingo, Carreras, Dimash, and HAUSER, alongside the Budapest Symphony, is a celebration of the show’s belief that classical music isn’t stuck in the past. Instead, it grows with each new interpretation, with every unique artist.
Producer Mariann Peller’s care can be felt in every frame of this video. Director Imre Szabo-Stein captures both grand moments and subtle ones, a glance, a breath before a big note. Bence Bobák ensures that whether you listen through headphones or stereo speakers, every voice and note comes through clear and rich.
Veronica Bocelli, known for her role as a jury member on Virtuosos, offers her expertise, connecting the performance to both tradition and the show’s future. The result is a polished but heartfelt performance that draws viewers in.
Want to see more behind the scenes, previews, or other standout talent? Virtuosos doesn’t limit itself to TV. Updates, short clips, and community conversations can be found on Instagram, Facebook, and TikTok.
Every artist here brings a universe with them.
- Plácido Domingo: Decades of operatic glory echo in his every phrase. There’s wisdom in his eyes, a richness in his voice that feels like velvet and steel at the same time. Even a whisper carries authority.
- José Carreras: Expressive, passionate, direct. Carreras survived battles far tougher than tricky high notes. There’s a deep humanity in his singing. When he looks at the crowd, it feels personal.
- Dimash Qudaibergen: Widely known for his nearly limitless range and willingness to mix styles. Dimash jumps from gentle falsetto to bold, ringing lines with ease. He redefines what’s possible for a modern singer, always surprising, always true.
- HAUSER: No one holds a cello quite like him. In his hands, it becomes another voice, not just a background instrument. His playing is soaked in feeling, sometimes letting a single note hang as if time itself has slowed, carrying the listener into the heart of the song.
The Concerto Budapest Symphony Orchestra brings all these elements together. Under Eugene Kohn’s guidance, the musicians provide a soft cushion to the verses, then burst with strength during the chorus.
What Each Artist Brings
| Artist | Contribution | Signature Style |
|---|---|---|
| Plácido Domingo | Deep, seasoned vocals | Authority, warmth, pure classical technique |
| José Carreras | Powerful and heartfelt delivery | Direct emotion, clear phrasing |
| Dimash Qudaibergen | Astonishing vocal range | Modern twist, unexpected transitions, passion |
| HAUSER | Emotional, expressive cello | Rich, singing tone, ability to “speak” through the cello |
| Concerto Budapest | Orchestral depth & dynamics | Lush strings, precise, supportive of soloists |
Listeners can hear the blending and contrast in real time. Domingo’s steadiness grounds the piece, Carreras adds emotional punch, Dimash shocks the ears with vocal acrobatics, and HAUSER’s cello tugs the heart. The orchestra fills every space between.
It’s easy to sing about victory, harder to admit you’ve had moments of doubt or failure.
“For what is a man? What has he got? If not himself, then he has naught.”
These words ask the oldest question, what does living really mean? The answer is simple but tough: living means making choices, living honestly, and not copying someone else’s script.
“To say the things he truly feels, and not the words of one who kneels.”
That image stays with you. It’s about speaking up, about not shrinking in the face of fear. The song doesn’t promise a perfect path. It admits to missteps, but refuses to make excuses.
“The record shows, I took the blows and did it my way.”
Who hasn’t felt battered by life’s hard moments, but kept standing? The lyrics invite each listener to reflect: Have you faced your own final curtain with regret, or with pride in doing things your own way?
Life brings regret and risk, but also endless chances to try again the next day. The song, like the best music, isn’t just about the singer. It’s about everyone who hears it and sees themselves in the words.
The performance didn’t happen by accident. The setting, United Illusions Studios in Hungary, echoes with both modern technology and respect for tradition. Here, moments are captured, edited, and mixed to keep the essence while polishing every second.
Director Imre Szabo-Stein brings the camera close without intruding, catching the teamwork and individual effort that goes into every note. Editor Attila Lecza’s sharp work gives the performance its flow, never losing the tension and release that keeps viewers engaged.
Bence Bobák, the sound engineer, builds the sonic space: voices never fight with the orchestra, instead blending into one expressive stream. Producer Mariann Peller sees the big picture, picking the team and guiding the vision, making sure this isn’t just impressive, but moving.
Together, they create a space where old classics feel fresh and where stars share their gifts generously. For those who want to go behind the scenes more often, Virtuosos shares exclusive moments and news on their official Instagram, Facebook, and TikTok.
Virtuosos isn’t just a TV show. It’s a living community, always sharing stories of rising talent and proven legends. The team posts updates, backstage moments, and inspiring performances on Instagram, Facebook, TikTok, and Twitter.
For fans of classical music and those who crave real, unfiltered artistry, following Virtuosos is the best way to stay in the know. Use hashtags like #virtuosos and #futureofclassicalmusic to join the conversation, share your favorite moments, and meet other fans.
If you share a link to this unforgettable “My Way” performance or post, tag your fellow music lovers. Every connection helps ensure there’s a space for bold artistry and honest storytelling in music for years to come.
Closing Thoughts
Watching Domingo, Carreras, Dimash, and HAUSER perform “My Way” together isn’t just a treat for the ears, it’s a reminder that true music has no borders or time limits. Their voices and stories intersect, creating an experience that feels both intimate and communal. The bold message at the center remains clear: life is uncertain, but the journey is always worth taking when you stay true to yourself.
For more stories about artists who break the mold or to discover hidden musical gems, check out what’s new on The Music Man. The world of music is full of surprises. Why not be part of the next big moment?
